The magicians land lev grossman read online
And just as the Narnia stories used a frame narrative to create the illusion of truth-as the Pevensie children told “The Professor” the stories of their adventures in Narnia-so Grossman invents “Christopher Plover,” the author of the Fillory books, who lived next to the Chatwins and wrote down the stories they told him. As with Lewis’s “Pevensie” children, the Chatwins are an early-twentieth century British family, temporarily parentless because their father is fighting in Europe. The “Fillory” books are modeled fairly closely after Lewis’s novels: in Grossman’s description, the five Fillory books tell the story of a family of children, the Chatwins, who go to a magical land called “Fillory” and have adventures. Quentin’s best friend Elliot, for example,has gay dominant-submissive sex in hidden parts of the school, and comments ironically on his own developing alcoholism.īut Grossman’s more extended and revealing allusion is to C.S. In significant ways, however, Grossman departs from Rowling’s mold.
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Almost immediately, however, he discovers and is accepted to a special school for magic, called “Brakebills.” The echo of the Harry Potter books in the idea of a secret community of magicians going to school unsuspected in the midst of the contemporary world is unmistakable: in fact, one of Quentin’s teachers mocks him by saying he wants to be a great wizard, like “Dumb-bell-dore.” And as with Harry Potter, Quentin quickly develops a core set of friends from the other Brakebills students. The Magicians, the first book in Grossman’s trilogy, opened with a young man, Quentin Coldwater, applying for colleges in contemporary Brooklyn.
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Yet more than a meta-commentary on fantasy fiction, Grossman’s trilogy is also an exciting and compelling instance of it.
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This is, so far as I know, the only fantasy series in which the characters are also reading and talking about a fantasy series: all of the characters in Grossman’s story have read and are familiar what they call the “Fillory books." And in Grossman’s handling, this self-consciousness elevates the series into a meditation on the nature of fantasy fiction and on the important role fantasy can play in deciding how to live. As the pair struggle to find their way back to their lost kingdom, Quentin is forced to rely on Julia’s illicitly learned sorcery as they face a sinister threat in a world very far from the beloved fantasy novels of their youth.Lev Grossman’s “Magicians” trilogy, which concludes with The Magician’s Land, may be the most self-conscious fantasy series ever written. Accompanied by his oldest friend, Julia, Quentin sets off-only to somehow wind up back in the real world and not in Fillory, as they’d hoped. His old restlessness returns, and he longs for the thrills a heroic quest can bring.
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But even as a Fillorian king, Quentin finds little peace. He escaped a miserable Brooklyn childhood, matriculated at a secret college for magic, and graduated to discover that Fillory-a fictional utopia-was actually real. Return to Fillory in the riveting sequel to the New York Times bestseller and literary phenomenon, The Magicians, now an original series on SYFY, from the author of the #1 bestselling The Magician’s Land.